A2; ink, marker, gouache, watercolour, acrylic;
Main explorations and experiments:
First person perspective and (an imagined) Fish Eye effect.
Technique and the influence and interaction between different media.
A range of possible Ideas and Meanings.
I don’t know what made me draw that room exactly – I decided to take a break from briefs and just paint, without directions or ideas; experiment and see what happens. What I came up with soon after was to create a painting of a room… backwards. A somewhat reverse process of painting and mark-making. The main idea was to put the touch-ups first, then the paint, then the outline and then the sketch. While doing it I decided not to add the sketch because it’s not always necessary and it just felt like it would be too influenced by what’s already on the paper. As a compromise I plan to make the sketch on a separate acetate sheet and try it out by layering the image.
Once I started working on the idea I immediately started questioning it. We’ve been told time and time again how important meaning and context are. But then I realized I had nothing to question, as if all the answers were there already.
I used the layout of my room back home for inspiration which immediately made the painting much more personal, connected to a place which in turn evokes certain emotions and feelings. What I did not want to do was paint my room. So how can I see my room as a room which is not mine?
Time. Our apartment building was built in 1929. I considered the fact that probably several generations of inhabitants had passed through this place, each changing and re-incorporating the room to their own characters and their own desires. Then there was my family and I, and then there would be more people to come. My room was other people’s room and it will be other people’s room.
Remembering my reverse painting process, I realized I have already incorporated the notion of a time flow (though distorted) into my work and that made the two ideas fit together like pieces of a puzzle I didn’t know I was doing.
My main idea became to mix past and present and remove all presence. The focus is therefore left on the room itself, letting the viewer notice the perspective (observer’s point of view, someone entering the room). I want to remind the viewer of the experience of entering a new room, not knowing what it looks like.
This time the viewer is shown a room in a fluid form. Time and space are shifted, bended even, letting the room exist in a dimension where all its re-appropriations overlap into a single moment, a single harmonic personal space. It exists only now and only to the viewer. Just like a passing thought. Maybe of the future, or maybe a memory.
Each single component of the room (the sofa, the paintings, the lamp, etc.) has its own significance and meaning, all related to past memories and experiences of mine, or fascinations and interests.
The weather out the window also fits the main idea since it is undetermined but for the fact it’s daytime.
I am happy with the outcome mainly because I had the chance to do something I wouldn’t normally go for. I challenged myself and created something out of nothing. I let the ideas develop naturally rather than stick to the same thing from the beginning, enforcing my main idea even further.