Gorillas In The Roses / reflection

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GITR Zine Cover (for our zine of zine covers)

After the chaotic atmosphere, large scale and spatial freedom in first term, Gorillas in the Roses, led by James Green, seemed like a real challenge because of its contained nature. With my collaging experiments from last year to back me up, I’ve been thinking it might be interesting to learn about the true nature and history of collaging, how it fits in the greater scale of the art world. I couldn’t help but notice how different the two options were. I had to once more change my perspective on processes and materials, and it was the most exciting idea to reflect upon in my work. I’d been thinking about Nature – the general nature of things, ‘nature’ as in our environment, the nature of the world we live in, human nature, the nature of my thoughts and emotions.

Being confined to my desk space felt really strange at first but the lectures we were having soon took my mind off it. James introduced us not only to collage art and artists, but also to some of the most incredible comic book artists, examples of book art, shows and animations. The calmness and quiet of the collaging process (finding the right elements from newspapers/books/magazines, cutting them out, arranging them, and sticking them down) was what helped enforce the idea of a meditative process of visual reflection, of putting things in order and understanding them through this different perspective. While I was trying to put some specific meaning in every element of my collages I realized that what I was coming up with were perfect reflections of moods and mind states, strange combinations, that don’t really make much sense, but secretly, hold bits of a life story. Of mind states. Of Nature…

One thing I found incredibly reassuring, and liberating in a way, was that there were no restrictions, no limits, and no boundaries. We were just told to produce a body of work, to concentrate on something, and to do some collaging. That meant a great deal of experimenting and a lot of collages made on a purely random basis. And even still I kept finding meanings in the outcomes. At the start of the module James told us to each get a sketchbook for all our collages, but after the Subject projects, and the feedback from both this year and last, I was determined to create a finished outcome in book form, made from scratch, rather than just bought and filled. That is how ‘M!nd States’ and ‘Human Nature, Cosmic Nature’ initially formed as themes and ideas, and, as the module went on, as real finished pieces. But my work was also influenced by not only the artists I was encouraged to research but also my peers. Even though we were working alone and each of us in our own ways, we managed to produce more artwork than any of us thought, all while comfortably collaging in a room, chatting and listening to our favourite music. I couldn’t appreciate it more.

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Life and The Universe, as I see them in collage. (part of my “human nature, cosmic nature” book)
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