28/11/2016 ‘lakeside willow’
28/11/2016 ‘lakeside willow’
And here are the final pieces from the Bristol show.
‘UNVEIL‘ is about entering the state of dreaming, becoming your astral self, unveiling the door to that realm of infinite possibility of which the moon is a guardian.
‘EXPLORE‘ is a scene from one of my vivd dreams where the sun was rising over the seaside (the exact moment when the dark of night and the daylight fight for dominion over the dome of the sky) its light gently washing over the massive planet and the mirror-like sea. Even though there were no waves, the surf board moved on its own with my intention, much like everything else happens in dreams.
‘ENCOUNTER‘ is about the person I kept meeting in different scenarios in a number of the dreams (if not all) which inspired this collection of artworks. The geometric forest is a concept I came up with many years ago in a painting i was never pleased with, and now seemed like a good time to revisit it and give it new life.
‘SEE‘ is the attempt to visualise a bit of a dream where that person’s eyes were there, real, on his face, but they also somehow had the scale and gravity of immense planets, and at the same time they had the spiral pull of galaxies, it felt like I was being pulled in and I could float about and observe them from a distance one could fully observe a planet or a galaxy, while I was fully aware that I was looking into a pair of eyes right in front of me. A very surreal and overwhelming part of the dream but completely enthralling and mesmerising.
‘TOUCH‘ refers to the idea that in order to lucid dream, the first challenge (or the first gate of dreaming) is to be able to look at your hands during a dream. It also refers to the strange sensation of touching and experiencing the texture and weight, pull or push, of objects in dreams – enhanced and very real but at the same time… not.
Originally ‘See’ and ‘Touch’ were quarter the size of the rest but because of a misunderstanding at the printer’s I had prints of all of them in both sizes.
That being said, if you like what you see, get in touch and you just might get one of the original prints! :)
I’ve been going on and on about the show and now it’s gone and passed, and I haven’t said a word about it.
As you probably already know, it was in two parts – from the 31st of March to the 6th of April and from the 7th to the 13th of April. We tried to make sure the people whose work would be up at the same time related with one another in some way and we found out that a lot of our works do that anyway. As almost everyone was exhibiting work that was part of their final year project (for the degree show in May) it was an amazing opportunity to experience the curatorial side of the whole ‘Encounter’ challenge. We found more connections between our work than we previously thought and also received amazing feedback on and after both opening nights.
My own work had nothing to do with my final project, which was probably not the best of ideas, but I wanted to focus on something fresh in my mind – at the time I still wasn’t sure whether I wanted to do an animation for my final piece or a very long scroll-type painting on a large scale. Neither would have worked well in the gallery space at Paper Arts, so in the end I chose the subject which had ceaselessly been on my mind since the Christmas holidays – DREAMS.
I’d been having a series of very vivid and realistic dreams with massive amounts of detail stored in my memories. I wouldn’t say that they influenced my waking life but I’ve always thought that if someone is in your dream, you have to tell them. A number of people were in my dreams, one person in particular, who also appears in the final images, more so than the others – when I shared my dreams with him, it became a common conversation topic, and a really exciting one at that, which brought us closer and solidified our friendship, something I was immensely happy about. So, in a sense, they actually did influence my waking life.
Anyway, I shouldn’t go off on a tangent. The opening night for the second week was a lovely event which I thoroughly enjoyed. I got very positive feedback from our year tutor, Amelia, who believed I should go on with this for my final piece. That completely threw me off and I found myself wide-eyed and panicking, telling her it actually has nothing to do with my final piece (even though I’d already been trying to find a way to relate dreams with myths). Her suggestion was that I should find a way to do something similar… ‘because it really does work very well, good job!’
Even though I didn’t sell any of the prints I had on display (I was gutted when I realised I’d forgotten mount board and cellophane pockets) I am really happy to have had the chance to have my work seen by so many people. Hopefully it will have inspired some of them to truly explore and experience their dreams. :)
Tom Rolfe, fellow course mate, illustrator, and printmaker, showed me a concertina booklet by Nobrow Press he’d recently bought – Rise and Fall by Micah Lidberg. It hit me instantly – the bright colours, simple shapes and markmaking, layering of elements, juxtaposition… and most importantly, the continuous image showing the unfolding of a timeline. I immediately knew I wanted to do something of the sort, and I believe this is how the 3,3m piece came about (that and my friend reminding me about scrolls and such).
After the presentation feedback and going through Rise and Fall again, I will be attempting a simplification of the narrative and visual language, as well as a scale expansion (moving towards a hanging installation rather than a handheld scroll).
Back in January Laowa, a local music artist (and friend) asked if I would make a cover for his new EP of interstellar lullabies. Naturally, I got way too over excited and started working on it almost straight away.
Album artwork and musical illustration are probably at the very top of my list of potential artistic directions, since beginning to work on the Lyric Sketchbook back in first year. I think work that answers to music has a much more interesting feel to it, the idea that you can understand it better by listening to music and the other way around (that you can understand the music better by seeing the cover artwork) is fascinating. Involving two senses rather than one, creates a fusion of experiences which can, in a sense, communicate the intended feeling more thoroughly.
I was listening to the lullabies before bed for a while before I was asked to to the cover. Then I started listening with a purpose other than falling asleep to lovely tunes, seeing if any ideas make their way into my head. One morning I woke up and remembered a clear image from that night which I then decided to illustrate.
The idea of an inverted image is something I’ve been doing for a while now – the results always have a certain dream quality to them and given the EP is made up of space-themed lullabies, I thought it quite fitting. This project has also inspired some of the work for the upcoming Bristol exhibition.
You can find Laowa and his music here:
I designed a poster for our 3rd year degree show fundraiser. I did it all by hand, as I thought it would be more interesting than just using photoshop. If anything, it’s good experience, now I know I should do some things first instead of others.. Posters can actually be quite fun when they’re not about a heavily serious event.
A series of mystical black and white photographies of the magic folk. All the pictures were taken at the Bute Park stone circle. A magical filter was used in a couple of places (the ethereal plane is not that easy to capture on camera; it also only works on a film one, like the one I used ;D)
Many thanks to my beautiful models:
Fae Friend and Charm Caster, Carys Jones
Dream Weaver and Spell Binder, Angharad Arnold
Male Sacrifice, Olly Townsend
Tylwyth Teg Familiar, Aaron Szura