Cosmic genesis / artist statement

Everything about our lives and our very existence depends on the milestones of the Cosmic Genesis – the points in the history of the universe since the beginning of time which made life on this planet possible. Each one of those points, the formation of the Earth, the shaping of the Solar System, the origin of the Milky Way, has been crucial and yet has happened due to an ever-continuing ripple (or butterfly) effect. As if reflected in our own scale of being, each thought, decision, action, no matter how seemingly insignificant has the potential to cause unimaginable changes in this world we think is set in stone. On the contrary, it is alive, breathing, growing, evolving, moulded by the forces which influence it, whether that refers to meteorites, the shifting of tectonic plates, natural phenomena or the negligent behaviour of a single one of the Earth’s myriad of species.

Rooted in mythology and stemming from scientific discovery, this project’s aim is to bring the viewer’s attention to a higher perspective and a process of self-reflection, both figurative and literal. Through the observation of this chain of creation, the viewer’s mind is stripped of superficial concerns which are replaced by a sense of understanding and elevated perception. Ultimately I wish to evoke empathy towards our home planet and an awareness of the choices we make, which could sustain or exhaust it.

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final pieces

After some hard thinking and work I finally finished them. These are the pieces I’ve chosen to put in the exhibition.

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Due to unforseen technical difficulties I’ve lost some of the scans and these are the only ones I managed to recover.

All of them are painted with acrylic onto MDF covered in black acrylic. It felt amazing to be able to finally paint, rather than plan and do technical things like scanning, editing and blogging.

These will be suspended so they hang at eye-level, arranged so they form the backwards narrative of the creation of our universe.

final idea / development

After Amelia’s comment on the second opening night of WITHIN / WITHOUT, I decided I had to make some changes.

Instead of a single long piece, I chose to go for the easier option and go with separate images for the separate pages. I’d been doing concept drawings in my sketchbook and it only made sense for each one to just be on a separate piece of paper, but still, adamant that they should be suspended on strings, rather than just hung on a wall.

Quite a few things changed throughout the course of this project. From illustrating different Creation myths in order to point out similarities to making an animation uniting all their main elements, to a long continuous piece hinting at a multiverse… I have finally come to a final decision.

My plan is to create an installation of the timeline of our universe but backwards. First we observe what is now, the Earth suspended in space, and then we start going further and further backwards until we reach the point of the Big Bang, the point of primal genesis, the point beyond which we can’t tell what was. Then I will employ the multiverse bubble theory and we will move out of the bubble our universe’s timeline is contained within, to the space where all the numerous bubbles float about, each one containing the possibility of a universe within it… they hang freely until they lead to another freely hanging piece, the last bit of the installation, a mirror. Next to it a short poem tying everything together and inspiring the awareness, self-consciousness and empathy we al must feel towards our world, our planet, our home, and all the beings inhabiting it alongside us.

It is our world, our choices and our responsibility.

 

pieces from within / without

And here are the final pieces from the Bristol show.

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UNVEIL‘ is about entering the state of dreaming, becoming your astral self, unveiling the door to that realm of infinite possibility of which the moon is a guardian.

EXPLORE‘ is a scene from one of my vivd dreams where the sun was rising over the seaside (the exact moment when the dark of night and the daylight fight for dominion over the dome of the sky) its light gently washing over the massive planet and the mirror-like sea. Even though there were no waves, the surf board moved on its own with my intention, much like everything else happens in dreams.

ENCOUNTER‘ is about the person I kept meeting in different scenarios in a number of the dreams (if not all) which inspired this collection of artworks. The geometric forest is a concept I came up with many years ago in a painting i was never pleased with, and now seemed like a good time to revisit it and give it new life.

SEE‘ is the attempt to visualise a bit of a dream where that person’s eyes were there, real, on his face, but they also somehow had the scale and gravity of immense planets, and at the same time they had the spiral pull of galaxies, it felt like I was being pulled in and I could float about and observe them from a distance one could fully observe a planet or a galaxy, while I was fully aware that I was looking into a pair of eyes right in front of me. A very surreal and overwhelming part of the dream but completely enthralling and mesmerising.

TOUCH‘ refers to the idea that in order to lucid dream, the first challenge (or the first gate of dreaming) is to be able to look at your hands during a dream. It also refers to the strange sensation of touching and experiencing the texture and weight, pull or push, of objects in dreams – enhanced and very real but at the same time… not.

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Originally ‘See’ and ‘Touch’ were quarter the size of the rest but because of a misunderstanding at the printer’s I had prints of all of them in both sizes.

That being said, if you like what you see, get in touch and you just might get one of the original prints! :)

Concept drawings

I’d been doing a lot of concept pieces before and after the exhibition in Bristol and when I came to a final decision about the degree show and what I wanted my project to be, I redrew them all to what I imagined they could look like as finished pieces. In a sense, final concepts.

I was using watercolour, as I wanted a certain density as well as a transparency to the outcome. Knowing that the final images would have to be painted on MDF was a bit worrying because I knew they weren’t going to come out looking the same. I could visualise the changes to an extent but I still couldn’t fully anticipate the outcome.