As you sit down and you look at the collection of old magazines, comic book issues, and all kinds of scraps and papers and pictures, all about to be cut up, rearranged and stuck together on a page in a sketchbook or a random sheet of paper, you can’t help but notice a little sadness amidst your excitement and delight – sadness about the ‘destruction’ of other people’s works because of a specific detail which we use for our own imagery. This ultimately makes you think about the kind of world we live in, the nature of humanity and the beauty of balance – to create you need first destroy – like the phoenix, which dies in fire and is reborn from the ashes. Collaging becomes this act of creation via cutting, tearing and trimming.
At the same time it gives life to all the scraps and the bits and the little papers that we come across each day – the receipts, the tickets, the leaflets, the wrappers… they are given purpose when they have none and they are made interesting when they usually wouldn’t be. What is by some considered trash becomes a gold mine for those who know what to look for.
Collaging in itself can be a deeply personal experience, which opens you up to how your own mind works – how you see things and how they subconsciously rearrange themselves inside your head; the outcomes become the reflections of ideas, thoughts and mind states. Collages are weird in nature; they are nonsensical, shocking and/or simply strange but that gives you the freedom to see just how far you can go before you get completely lost and confused and disgusted by your own artwork.
The following pages of this book are filled with the outcomes of my own exploration of that uncharted mind space – trying to make some sense out of things that at a first glance make none.
~~~—– 10 / 25 artworks from the book (all images in M!nd States were selected out of a larger body of work done in the last 5 weeks —–~~~