My final ‘pieces’ for our Gorillas in the Roses field module this term.
I made the two books from scratch – binding, stitching and, of course, the collages inside. I decided to go all out for the formative assessment this module as soon before I got the feedback from my Subject term 1 assessment. Amelia (Johnstone) mentioned that I haven;’t really been completing my artwork to the fullest extent in a sense of – weak in context and because of that unable to finalize whatever I produce. (I’m being quite vague because the examples wouldn’t apply in this case) At the very beginning of this field project James explained to us that with collaging we don’t need to make perfect sense, in fact, we don’t need to make sense at all. What he wanted us to focus on was exploration. In a way, whatever we come up with will add to the final body of work that was expected of us by the end of the 5 weeks.
These two books are a product of the absolute chaos and order of my mind. My process was quite simple, go through all the imagery (scan it) and then cut out what I like and what I feel might be useful (without actually specifying what for). Then I try to look for more in the same way, but with that first cut-out in mind – what would fit, what would work well with that? I do that until the collected bits start interacting with each other – they start revealing narratives, settings, composition challenges and specific colour schematics which ultimately lead to the image in my mind’s eye that I need to arrange down on the page. The entire process happens almost subconsciously, the only way I am now able to talk about it is because during the first few sessions, James (Green) and Tom (Martin) were asking us about our process, do we work in any specific order or just randomly putting stuff together, and I wasn’t sure how to answer at the time, the question was just as confusing as the collaging I was doing.
What I was really doing was spiraling in and letting go, going as crazy as it suited me. I felt like I was in a completely stress-free environment, no pressure of working on a brief, no outlines our work needed to fit in, just free to do whatever. And that was like a tap of creativity pouring down a well of inspiration. I find collaging entrancing, meditative, inspiring and sometimes frightening – whatever comes out on the page, is the product of my own imagination so obviously the more twisted the outcome, the more I question my own sanity.
In that sense, these two books are a sort of revelation, a reflection of how my mind works in various states and situations. Whether sleepy or hyped up, at uni, at home, after a night out, after having lots of food, when I haven’t really eaten all day; whether sad or happy or bored… the results always fit with my mood, without fail.
Mind States, album book
size: A3 (29.7 x 42 cm)
contents: 25 collaged pages
nature, human nature, cosmic nature, concertina book
size: 12 x 12 cm
contents: single-page collages, collage spreads and pop-ups
Here you can see a short preview of what is actually inside. :)
The footage for this clip was quite plain and I thought I might spruce it up a bit on Magisto, an app I’ve had on my phone for ages but never really used before. How it works is, you select the videos you want in your short clip, choose an effect setting, a style, and then either choose a soundtrack from the app library or add your own music from your device. Could not be more simple – you don’t do ANY of the editing and you still end up with a decent little video. One of its effect settings (Rock On) just seemed perfect for my idea, as it was using stop motion collage frames and transitions which fits perfectly with our field module. The only feature I didn’t fully agree with was the black and white bits as the use of colour is quite an important feature, although after seeing it a few more times I realised that it actually works quite well – in order to inspire interest, you don’t show everything straight away, do you… The song I used is from the soundtrack of Scott Pilgrim vs. the World (“Garbage Truck” by Sex Bob-Omb), it is one of my favourite films based on a comic book (story & artwork by Bryan Lee O’Malley). I thought it’d be quite fitting for a few reasons, like the grungy footage, and the fact that we’ve been working with and looking into comic books during most of this module.
Just a little something I found from last year that I didn’t put on the blog back then but it makes perfect sense that I do now. In a way it fits with my recent artistic endeavours and mind states —
chaotic, dark, closed off, yet with a strange sense of order, light and space.
(When I made this I remember being influenced by the art of koyamori on DeviantArt –http://koyamori.deviantart.com)